Archive for November, 2009

Getting The Fort Hood Murders Right

Thursday, November 19th, 2009
America: Stop The Bloodthirsty Killing!

America: Stop The Bloodthirsty Killing!

Posted by John Grant

This ran in the Philadelphia Daily News yesterday, and so far it has received the usual array of lunatic and blood-thirsty responses about “all you liberals” who want to coddle terrorists. Sorry, but America and Americans can handle the truth and it’s time reasonable citizens stood up and demanded it be given to them directly and in full. The issue is not fear of Muslims; the issue is our misguided and wasteful wars.  
JG

Getting the Fort Hood murders right
By John Grant
Op-ed, Philadelphia Daily News, November 18, 2009

REFERRING to post-9/11 anti-Muslim reaction and the Bush administration’s rush to war, Susan Sontag said: “By all means, let’s mourn together. But let’s not be stupid together.” The 13 murders by Major Nidal Malik Hasan at Fort Hood, Texas, seem to be provoking a similar strain of stupidity in American politics.

Once the shooting occurred, theories began whipping around like confetti in the wind. At this point, only Hasan really knows why he went postal. But some incendiary clues are flying around in this storm.
Sen. Joe Lieberman (D-Conn.) made news by wasting no time to declare on Fox News that the murders were “the most destructive terrorist act to be committed on American soil since 9/11.” This was after he said, “It’s premature to reach conclusions about what motivated Hasan.”

Then there’s Justin Raimondo, editorial director of Antiwar.com, upset at the “touchy-feely” talk about Hasan’s job counseling soldiers for post-traumatic stress syndrome. “There was nothing wrong, psychologically” with Hasan – his act was “rational” and due to his anti-war attitudes as a Muslim. “It is perfectly possible,” Raimondo wrote, “Hasan was recruited into al Qaeda, a ’sleeper’ to be awakened at the right moment.”

These men were both pouring gasoline on the embers of 9/11, when we should be tamping down the madness. Instead of whipping up another Muslim demonization cycle or misguided support for armed anti-war resistance, we should take a deep breath and, with Sontag’s words in mind, ask ourselves how the nation got bogged down in an endless War on Terror and two counterinsurgency wars of occupation.

This time, let’s try something new and try to understand the thing rather than acting like a bull pawing the dust in front of a red cape. Let’s put Hasan on trial, and let’s be as open as possible and share information with the American people as we do it. The obsession for secrecy established by the Bush administration is something Americans have the strength to back away from. To paraphrase a famous quote, Americans can handle the truth.

If Hasan exchanged e-mails with someone connected to al Qaeda, fine. But let’s finally have the courage to honestly assess just what the heck the al Qaeda boogeyman really is.

Many very smart people have for a long time seen it as an overblown network of dangerous people – angry at things the U.S. and its western allies have done in their lands.

Let’s try something new and take people like Osama bin Laden at their word. For instance, bin Laden has written that his goal is to make us spend ourselves into bankruptcy. If that’s true, then let’s suck it up and not escalate our war in Afghanistan.

Let’s remove our troops and help facilitate a stable relationship between India and Pakistan, a bitter rivalry that contributes hugely to Afghanistan’s instability. This would advance regional stability much better than more troops and predator drones. Being a military provocateur in the region aggravates the India-Pakistan problem and does nothing to lessen the grotesque corruption that plagues Pakistan.

As for Hasan, for our own good, let’s ask how an otherwise reportedly decent man who at least initially seemed eager to serve his country was put in a bind that led to mass murder. And let’s do it even if he exchanged e-mails with people who Lieberman calls “Islamic extremists.”

Belief is not illegal here. Acts are. It does no reasonable American any good to turn Hasan’s crime into a witch hunt that provokes more hatred.

Co-workers at Walter Reed Army Medical Center reportedly thought Hasan was “psychotic,” suggesting the military was remiss in not discharging him. In hindsight, it’s clear he should’ve been dealt with.

But if we’re going to purge soldiers for psychotic behavior, let’s not focus only on those opposed to our wars. Considering Abu Ghraib and other atrocities, it’s clear there are plenty of psychotics in our ranks friendly to wars in Muslim countries.

Beyond all the reaction, there’s a profound lesson in the narrative of Hasan. We need to be coolheaded, fair-minded and smart enough to recognize it.

Why was there no apparent avenue for someone like Hasan with such a clear and pronounced moral conflict vis-a-vis U.S. war policy to be classified as a conscientious objector? His government-paid skills could have been used somewhere other than a war zone in a Muslim country.

The fact of heinous murder is easy to grasp in Hasan’s case, and he’ll pay dearly. The more difficult but possibly more useful lesson may be in how and why U.S. war policy is able to turn an apparently decent man into a bloodthirsty killer.

John Grant is a Vietnam vet and member of Veterans for Peace. E-mail: grantphoto@comcast.net .

Model Of The Day

Wednesday, November 18th, 2009

……Steffi and TW met over the internet when a friend of hers suggested she have a look at his website at tonyward.com. After perusing the site, she contacted the studio via email, sending along a few pictures of herself taken by a former boyfriend, as well as a few pictures from her work as a fashion model in her native Germany. We were impressed with her stature and unusually long legs.

Standing just over six feet tall, she reminded us of so many German girls that Helmut Newton worked with throughout his career. Steffi kept in touch for several months and eventually made plans to meet up with Tony in Hamburg for a test shoot.
The night before the sitting they got together for an evening on the town. TW was delighted to discover Steffi’s English was quite good, enabling them to enjoy each others company, as that is usually a good sign of a successful sitting and a great set of pictures.
Our producer in Hamburg Suzaan Talib found the perfect setting for the shoot; the oldest bordello in Hamburg which has been in continuous operation since the early 1900s. The madam and owner of the old establishment were gracious enough to give us the run of the place for several hours, while customers were coming and going. To their bemusement we repeatedly had to tell them that Steffi was not there to service them, they wished…….

Picture Of The Day

Tuesday, November 17th, 2009
www.StephanieVovas.com

www.StephanieVovas.com

…..We’ve had our eye’s glued to this image since we first discovered the work of LA based photographer Stephanie Vovas, whose work we’ve featured recently. It is very different from most of the other pictures on her repertoire, in that the identity of the person in the photograph remains a mystery, hidden unlike most of her pictures which are more portrait like. We asked her to write a brief commentary on how she arrived at creating this image, the mystery surrounding the photograph. In her own words, Stephanie offers us a glimpse in to her creative process at work……

Posted by Stephanie Vovas

Serena was my muse I guess you could say for many years until she moved away to New York City. Something between us matched as we felt free to play together. I guess we provoked each other creatively, her showing sides of herself, and me experimenting beyond my normal boundaries. It was a sort of fearless collaboration and there was great trust between us. I love how open, strong and confident she is. I wish I could find 10 Serena’s.

The picture just came about organically, we were spending a few hours together trying on different things. Then she put on those red underpants. I suggested we go into the garage where my sister stored this great old BMW. I pulled it onto the street, put the headlights on, and it was raining outside. For some reason those red underpants seemed like they went perfectly with the car. I walked behind the model and there was the picture.

Charles Hall

Monday, November 16th, 2009
Man On A Mission

Man On A Mission

…..Things couldn’t have been going better for Charles Hall in the mid 90s. A talented writer/creative director working for one of the leading advertising agencies in the country, Chiat Day Advertising in New York City. A creative person in that position worked on multi million dollar advertising campaigns with expense accounts to bring to fruition their ideas to promote and sell a variety of blue chip products.

Charles invited friends over to his girlfriend’s loft to celebrate his 30th birthday, listen to some music, one of his many pleasures outside of his love for advertising. The following day he received a phone call that would change his life. Someone attempted to rape a friend of his at the party. The tragedy became a rallying cry to take creative action, a public service campaign was born entitled; THIS IS NOT AN INVITATION TO RAPE ME. Charles pooled his resources in the advertising community to draw attention to the hideous criminal act of that evening, raising awareness to force people to think about their sexual conduct and the ramifications of improper behavior.

Charles Hall

Charles Hall

Charles contacted a group of photographers to join him in bringing awareness to his cause, by contributing photographs that would appear in a variety of popular culture magazines. The contributing photographers were Ellen Von Unwerth, Daniella Federricci, Moshe Brahka, Mario de Lopez, Walter Chin, Howard Schatz and Tony Ward.

Ellen von Unwerth

Ellen von Unwerth

Mario de Lopez

Mario de Lopez

Tony Ward

Tony Ward

Press Clippings

Press Clippings

Charles was very successful in getting his message across and years later 2007/08 was invited by the government of Scotland to launch the campaign overseas.

Original Campaign Sticker

Original Campaign Sticker

The studio is pleased to announce that Charles Hal, now a professor at the VCU Brandcenter, in Richmond, Virginial is at it again, this time bringing the campaign to the city of his birth Philadelphia, with the generous support of The Ortner Center for Social Policy at the University of Pennsylvania. A new series of images will be produced and exhibited at the Fox gallery and around campus from February 17th to March 5, 2010. Anyone that is interested in helping us support Mr. Hall in his effort’s please contact the studio at tony@tonyward.com.

Moshe Brahka

Moshe Brahka

Catholicism Sex And Religion

Sunday, November 15th, 2009
Is Celibacy Healthy For The Church?

Is Celibacy Healthy For The Church?

Posted by Melissa Norbeck

People choose to abstain from sex for various reasons. One may abstain from sex because he/she is too young, wants to wait for marriage, isn’t in a committed relationship, etc… But those who take a vow of celibacy are the Catholic Priests and Nuns. Deciding against having sex or any type of sexual relations for the rest of your life is a huge commitment. However, for those who are “marrying” God and devoting their lives to religion, it’s only a small gesture.

A Natural Fantasy?

A Natural Fantasy

Catholicism is a broad term referring to the Catholic faith and has been around for centuries. Nevertheless, there seems to be a double standard when it comes to the priests and the nuns. Nuns must try to live the life of perfection. Although priests do take the vow of chastity, obedience, and poverty, we all know that some of them do not uphold their ends of the bargain. Growing up Catholic and attending Catholic school for eight years, I have seen the differences: the cars they drive, the smoking and drinking, and the way they live. And of course we have all the heard the sad stories of the young boys. The priests who did those horrible things ruined the images of the good priests. There are also incidents in which the nuns were forced to have sex with the priests and had abortions as a result. All of that being swept under the rug.

Is Celibacy Natural?

Is Celibacy Hurting The Church?

I know a woman who was going to be a nun before she met her husband. I got in touch with the daughter to see if her mother would be interested in answering a few questions. The woman declined to comment. I know of another woman who was a nun for years but left the order. I got in touch with her, and she wanted to know why I needed this information. When I told her it was for a piece I was writing for Tony Ward’s website, of course she wanted to see the site. I gave her the web address, and I’m sure you can guess what her answer was after she saw this site. I could have lied and said I needed the information for school or something else but being a Catholic and all, I shall not lie, right?

Should Nuns And Priests Marry?

Should Nuns And Priests Marry?

What I find even more intriguing than any answer either of these women could have given me, is the secrecy. I cannot understand why these women would not want to answer questions about something they feel strongly about, about something that is part of them. I think the fact they said nothing says a lot – makes you wonder what goes on behind the closed doors of the convents and the rectories.

Is Chastity Good For The Church?

Is Chastity Good For The Church?

TW Interview TheArtBlog.Org Part 3

Saturday, November 14th, 2009

Post by Corey Armpriester

Amsterdam and Philly and Computerland

CA-Amsterdam seems just right for you on many levels; think about the Tulip and two lips being the vaginal lips. Have you ever thought about doing an erotic shoot in a field of Tulips or is that redundant?
TW- It’s actually a wonderful idea, I would be very compelled by something like that, and now that you gave me the idea, you may see that picture in the near future.

CA-Do you have a favorite Philadelphia artist?
TW-Hands down George Krause, he was one of my early mentors in the ’70s and after meeting him I invited him to Rochester to lecture when I was studying at the Rochester Institute of Technology, and he stayed as a guest in my home for a weekend which was unbelievable for a 24-year-old photography student. Even these days when I look at his work, it remains top shelf.

CA-Are you enthusiastic about art or photography?
TW-I feel enthusiastic about digital media, the internet, specifically blogs. I think that is where artists should move their work forward, by creating their own community around the work.

CA-I’ve been to your blog and it feels like an explosion of yes.
TW-I appreciate that because for the first time in several years I feel like my creativity has been invigorated. Whenever you go through personal struggles like a divorce or illness or death in the family, it’s very draining on the creative process. I’ve catapulted all of my energies into a daily commitment to the blog. I encourage any artist young or old, if you don’t have a blog or a website or email address to get those things so you can become part of the digital world.

CA-Is there any way of escaping that?
TW-No, it’s like if you need glasses. It’s part of the process now.

CA- You see it as an empowering tool?
TW-Absolutely, you become your own publisher.

CA-Empowerment through electronic media?
TW-One hundred percent. I’ll take it a step further; I think galleries as a vehicle to show work these days is passé.

CA-Really!
TW-Yes, the frontier for showing uninhibited work is on the internet.

CA-How do you balance reaching for the stars and accepting reality as it exist?
TW-There is no balance. The artist must have an unwavering commitment to what they believe in and must maintain this unique position.

CA-Do you mentor artists?
TW- I’m constantly mentoring artists.

CA-What is it about human sexuality that makes you seek it out and explore it? What happened in your childhood?
TW-It’s what happened when I studied art history. I saw a lot of great things–I saw great painting and great ancient art, great sculpture, and then I started to see a lot of photography and when I looked at all of that work I said, you know what’s lacking in this great canon of art that I studied? Where’s the human sexuality? That was lacking in my view of art history.

CA-Do you think it was cleverly disguised?
TW-It was disguised in allegorical paintings but hard core sexuality, which is part of human existence, was never seriously addressed.

CA-Does the name Pindar mean anything to you?
TW-No, I don’t know Pindar. What is it?

I Am Tony Ward

Tony And Tony

CA- You have a photograph on your website that is a portrait of you and Tony Ward (model/actor/artist) you’re both wearing sexy short shorts and slogan t-shirts that say “I am Tony Ward” (I am=God, esoteric symbol) and Tony Ward (model) is feeding you something that looks like a cigar and you’re blowing smoke out of your nose while the other Tony Ward is touching his penis. This trinity of symbols made me think of Pindar, the golden penis of the dragon/lizard that lives in the South of France. Are you familiar with this myth and legend?

TW-It’s interesting you bring up mythology and the esoteric; I have heard these kinds of connections to my work before. People may not know but I meditate twice a day. Who knows, maybe just a subliminal thing. On a practical side, the way that t-shirt came about was Helmut Newton’s former stylist Sascha Lilic saw my book Orgasm in a book store in Europe. He was creative director of Spoon magazine at the time and sent a message to his editor in New York to contact me about us working together. I thought he was looking for Tony Ward the model. So I contacted Sascha and suggested we do a shoot with Tony Ward. Tony Ward shoots Tony Ward (the model) and Sascha loved it. We met in LA to produce the shoot where Tony resides and that’s really how that photograph came about.

CA-You seem to be more and more involved in the world of celebrity. Is there anything about that world that frightens you?
TW-The more famous you are the less autonomy you have.

Actress Thandie Newton

Actress Thandie Newton

Wasteland Party 15th Annual Celebration!

Friday, November 13th, 2009
Wasteland Book Release Spring 2010

Wasteland Book Release Spring 2010

…..Right about now, thousands of Europeans are doing last minute shopping as they prepare their outfits for the twice yearly pilgrimage to Amsterdam, to attend the massive fetish party Wasteland tomorrow night in Amsterdam. Party organizers predict attendance to peak at around 4000 revelers for the well organized event. TW has been documenting the party for the past 10 years and is pleased to announce that he will be publishing a long awaited series of documentary photographs of the extravaganza in the Spring of 2010. For those of you who can make last minute plans to travel to Amsterdam we highly suggest you attend. You will never forget it! Dress code is required……

www.Wasteland.nl

www.Wasteland.nl

TW Interview TheArtBlog.Org Part 2

Friday, November 13th, 2009

Post by Corey Armpriester

CA-Can an artist be successful without an agent or gallery representation?
TW-That’s a problem with the art scene over the past 10 to 20 years. The galleries and the collectors became the power brokers in the art world instead of the artists and the artist almost became secondary to the art. You don’t need a big name gallery a big name museum or a big name collector verifying your importance; that is something you have to establish yourself and that is what will draw your audience, not the other way around.

CA-Why do you live in Philadelphia?
TW-This is where I was born and raised and I have family here and I’m a very family oriented person, Philly is home.

Family, assistants

CA-Do you think having a family hinders the artist in any way as far as resources and time that can be given to the work?
TW-No question, that was one of the hard things about my marriage and raising a family. It’s always an underlying drive, the work comes first. Any artist of merit will say the Art comes first.

CA-How does your family deal with that and what is the consequence?
TW-The consequence in my case is divorce. Unfortunately my 23 years of marriage to my wife Sandy has started to unravel through divorce proceedings. It’s an unfortunate circumstance.

CA-Do you ever allow the assistant to take the photograph?
TW-No, my assistants generally take care of my post production needs and they also help me on the actual shoot, but I never give them the responsibility of taking the shot and then me putting my name to it; that would never happen.

CA-Is there something unethical about that?
TW-No, Andy Warhol had the factory; it’s really up to the individual artist to decide.

CA-Do you practice sex magic?
TW-I’m not gonna get into my personal sex life.

CA-What? Tony Ward is afraid to talk about sex!?
TW-I’m not afraid to talk about sex. I think there’s a thing called love and I think there’s a thing called sex and the two are not necessarily the same; does that answer your question?
CA-Yes.

CA-Is the Muse necessary?
TW-The Muse is like having coffee in the morning.

CA-Is feminism contributing to the destruction of the family?
TW-No, I don’t think feminism is the thing that destroys families, there’s a lack of a long term commitment.
CA-People will be surprised that Tony Ward is coming to the defense of feminism; that’s very bizarre.
TW-I’m not committed to the idea of feminism. Who am I to say a feminist viewpoint is right or wrong. What I prefer to do is through my work ask more questions about a variety of cultural issues.

CA-Is photography stupid?
TW-Photography is simple, not stupid; even with all the cameras out there people still take very mundane pictures that don’t need to proliferate the planet. In the proper hands, it’s really a rewarding medium.

CA-Could you talk about light?
TW-There’s no such thing as good light or bad light

CA-Artificial and natural light are equal?
TW-There’s no mandate from the art gods indicating what type of light one should work with.

CA-Amsterdam is
TW-My second home.

CA-Do you have a favorite coffee shop and do you eat Space Cakes?
TW-No, no Space Cakes for me. I know too many Dutch friends that have carted Americans off to hospitals because of those space cakes.

CA-One Space Cake is not going to send you to the hospital.
TW-I know that Mick Jagger has been taken back to the hotel on occasion.

Part 3 of the interview will be posted tomorrow…..

TW Interview TheArtBlog.Org Part 1

Thursday, November 12th, 2009

……
Post by Corey Armpriester

With art, cigarettes and sex on my mind, I sit down with Philadelphia’s very own agent provocateur, photographer Tony Ward, for a little talk, revealing a man with drive and ambitions fueled by art and costing him his marriage. Art as home wrecker–I’m sure spouses of artists can understand such a thing.

The Philadelphia photographer’s work runs the gamut from high art to low, from gallery exhibits to Bob Guccione and Penthouse Magazine. Sitting across the table from Tony Ward, I get the impression he has the confidence of a man whose ancestors follow him around everywhere he goes, except during moments of silence, his eyes share a melancholy and introspection he tightly controls; I suspect this recipe is a powerful source of seduction (the emotional tease).

If you’re an artist and have ever fantasized about traveling and exhibiting your work in galleries around the world, selling your art for thousands of dollars and having it stored in international museum collections while working on your sixth book in-between, and working on a constant stream of magazine spreads, then Tony Ward is living out your dreams in his life. How did that happen? What does it take to get that far? He talks about art patronage, feminism, space cakes, Thandie Newton and agents re-emerging to assist him in making the right introductions. He gives both the carnage and inspiration of art life, yearning for itself.

Ward will be showing some of his work at The University of Pennsylvania’s Fox Gallery, Feb. 17 to March 5, 2010.
Corey Armpriester-Germany has been very good to you, what is your relationship to the German people?
Tony Ward-It’s so true that Germany was a spring board for me. What happened was my agent in New York was Henrietta Brackman; she came out of retirement to represent me. Henrietta introduced me to Ursula Kreis, another well known New York agent who introduced me to the right people at the right time, which resulted in my having shows in Hamburg, Berlin and other German cities.

CA-Are you surprised that your photograph titled, “The Figure” sold for $18,000?
TW-I wasn’t really that surprised, only because I think it’s one of my best works; a gallery in Paris decided to invest in a print that warrants that kind of price, and a collector I met at the opening bought the piece.

The patron

CA-How important was Bob Guccione to your career? (Guccione is founder and once publisher of Penthouse magazine).
TW-Bob Guccione was pivotal because during 1995, I was producing a lot of free work, work for myself, and I was getting into a very creative zone. A friend of mine that had worked along side of Bob in the ’80s suggested I send Bob a portfolio. I sent a set of prints to his house on 16 East 67th Street in NYC; after he saw those prints he decided to feature me in the September 1996 Anniversary Issue, 16 pages that launched my career in the adult print industry. He was my patron of the arts for almost 10 years; I had an open checkbook to produce as much material as he could publish for many years. That’s what enabled me to travel to Europe so much.

CA-Do you think the grain in your photographs distinguishes your work from pornography?
TW-There’s certainly artifice built into the structure of my work to try and avoid the stigma of being labeled a pornographer, because the facts are that I was engaged in these kinds of shoots really looking for a means to express the art of it not the sex of it.

CA-Do you think the grain gets in the way of using the images as a masturbatory aid?
TW-I never considered my images to be masturbatory at all. In fact someone came up to me once and said, “Tony I find your images masturbatory”; I was almost insulted or repulsed, that was the consequence of some of the work.

CA-Why is the strap-on so important?
TW-That was just a visual tool we used; it was one of the protocols, especially when shooting lesbian scenes.

CA-Using one word, describe the vagina.
TW-Flower

CA-Is branding your name a dehumanizing act?
TW-No, I think branding a name is important for survival. It’s a business decision that most artists make at some point in their career. At the end of the day, Art is a form of branding. I’m encouraging young artist to be more self-sufficient and brand themselves via the internet.

Part Two of the interview will be posted tomorrow……

Blend Magazine

Thursday, November 12th, 2009

…..Blend is to mix smoothly and inseparably together or to mix in order to obtain a particular kind or quality. A perfect title for the avant guarde publication born in 2005 from a collective of Dutch visionaries from Amsterdam. The studio was delighted to be participate in producing some of the first fashion spreads for the new publication. Today Blend has grown and evolved in to the mainstream and has morphed in to a popular culture icon in Holland and beyond.

Blend Fashion

Blend Fashion

The intention was to design a lifestyle publication for people that enjoy contemporary music, art, film, fashion and photography. With an ear to the ground for what is happening on the street, Blend editors are quick to point out trends that are happening in the alleyways and on main street with an intense passion and regard for all of the the topics that attract their growing 21st century readership.
Besides the regular issues of Blend which appear on newsstands eight times a year, they also collaborate with external parties such as the Stedeliijk Museum of Holland to create unique publications that are referred to as Special Blends. These additional publications have featured the work of Andy Warhol for example……

www.Blend.nl

www.Blend.nl