CThru.com Presents Tony Ward Studio

Elizabeth Southward

Posted on January 27, 2012 by Elizabeth Southward

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……….As I was going through my wardrobe in anticipation of the sitting with TW, an overwhelming feeling of anxiety came over me. I was born and raised in a catholic environment with fairly conservative parents. I wondered how my family would react to a compilation of eroticism and fashion. Modeling had only become a recent passion of mine. I have participated in shoots ranging from avant-garde to beauty, but I never agreed to the nudity genre. To this day, I have conformed to my far from liberal background. Ultimately, I was intimidated by Tony’s visions.

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Elizabeth Southward

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Don’t get me wrong, I have always admired TW’s work and his eye for beauty—I just could never envision myself in any of his models’ shoes. I knew one of the models he had previously collaborated with, who seemed so in tune with her body and sexuality. He reminded me of a fatherly figure who had an innate passion for art and enormous love for the female body. Both key traits I admire.

Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.
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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.

Elizabeth Southward

Posted on January 18, 2012 by Elizabeth Southward

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……….Gender discrimination is revealed through the transformation of a male to a female. Orlando is brought up in an aristocratic society and is exposed to famous philosophers and poets like Nicholas Greene. Orlando has the capability to choose a woman and ability to be an ambassador to Constantinople as well. Orlando has the capability to compose poems and express himself through writing. Orlando has the upper hand in society as a male in society, but even if he were of the middle class he would still be in the same position. Orlando’s transformation shocks, yet excites the town, especially with the trumpets blaring. In effect Woolf hypothesizes what would happen in society if she were to come out as well as demonstrates her own hesitations with her true nature. A critic named Toni A. H. McNaron focuses on Woolf’s homosexuality within her article A Lesbian Reading when she claims, “The whole question of identification became central to my evolving connection with Virginia about seventeen years ago” (McNaron 15). McNaron characterizes Woolf’s sexuality as a way of characterization. Woolf demonstrates the transformation of Orlando as her own attempt to express empowerment with women.

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Elizabeth Southward

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Orlando realizes once he is a woman that she does not have the advantages she once did. Orlando attempts to reconcile her writing ability and does so successively. She travels with a tribe of gypsies and Orlando recognizes the separation between the socio-economic classes. Men from the tribe observe her intellect and as a reaction plot her murder. In Woolf’s excerpt, she illustrated men’s disapproval of women’s discernment, when she clarifies, “…There was an enormous body of masculine opinion to the effect that nothing could be expected of women intellectually. Even if her father did not read out loud these opinions, any girl could read them for herself; and the reading, even in the nineteenth century, must have lowered her vitality, and told profoundly upon her work” (Woolf 54). Men’s opinion of women’s discernment was extreme disgust and denied women’s capability of intellectual expression. Woolf stresses the major disadvantage of women and subservience in the eighteenth and nineteenth centuries. Orlando is a prime example of Woolf’s contempt with societal standards in the eighteenth century and difficulty with her own sexual desires.

Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.
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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.

Elizabeth Southward

Posted on January 15th, 2012 by Elizabeth Southward

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Virginia Woolf is ambiguous with her definition of the genders. In the beginning of the novel, Orlando’s gender is skewed and she sets readers up for confusion. Woolf portrays Orlando to be partially feminine when she states, “But, alas, that these catalogues of youthful beauty cannot end without mentioning forehead and eyes” (Woolf 12). Rarely is a male described as being beautiful – a male is praised for her masculinity or for his chiseled jaw. Woolf though adds a sentiment of feminity to Orlando’s character. He is known for his shapely legs, another feminine attribute. Through Woolf’s female touch she better explains her sexuality and underlying hardships. She uses Orlando as a way of expressing her own difficulty with coming out. Woolf is affected by her own hidden sexuality, but she opts to set the novel in the Elizabethan time period, a time of limited expression for women.

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Elizabeth Southward

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……….During the Elizabethan time period women were unable to express themselves through writing or to hold their own opinions without criticism. Women had to depend on men, whether they had a choice or not. In the excerpt of Woolf’s A Room of One’s Own, she exemplifies women’s lack of independence, “She had no chance of learning grammar and logic, let alone of reading Horace and Virgil. She picked up a book now and then, one of her brother’s perhaps, and read a few pages. But then her parents came in and told her to mend the stockings or mind the stew and not moon about with books and papers” (Woolf 47). Women were at a major disadvantage in comparison to men. Men were able to receive education and women were domesticated to house chores. Parents reinforced the inferiority of women by forcing them into the kitchen. In relation to Orlando, Woolf works backwards to demonstrate gender discrimination

Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.
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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.

Elizabeth Southward

Posted on January 12, 2012 by Elizabeth Southward

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How can women gain an upper hand with the eighteenth century limitations and man’s superiority in society? In the two texts, Moll Flanders by Daniel Defoe and Fantomina by Eliza Haywood, one protagonist connives their way to fulfill empty vanity whereas the other manipulates for financial satisfaction. Moll, the protagonist from Moll Flanders discovers her independence from the exchange of sexual favors for monetary value and eventually begins a career in thieving when she reaches middle age. Moll is on the low end of the totem pole. Fantomina who is considered aristocratic is intrigued by the idea of prostitution in order to win over an unreliable suitor. Each protagonist views the manipulation of man as the starting point of feminism. Although both women seize control by the means if manipulation only Moll attains true satisfaction, whereas Fantomina does not.

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Elizabeth Southward

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Throughout the course of each novella and novel the usage of disguise is crucial to each character’s means of control. Fantomina is first intrigued by a prostitute, which spurs her many disguises. Fantomina can envision herself consuming attention that this particular prostitute receives. Ultimately she decides to dress down for acknowledgement.

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Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.

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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.

……….The studio is pleased to announce that after recent correspondence, Dutch fashion model Justine Bakker may be coming out of retirement to work on an erotic fashion editorial for Tony Ward Productions. TW was the first international photographer to discover the androgynous star back in the late nineties when he first began shooting and producing in Amsterdam, The Netherlands.

Blend 2

Recently, the Studio has been contacted to produce a series of pictures for the 30th anniversary issue of German Cosmopolitan. As he began the casting process his former model came to mind.Shortly after he provided Justine with the confidence to move forward as a fashion model, Mario Testino discovered her and she soon after wound up on the cover of Italian Vogue. Her range is uncanny, from the androgynous editorial shoot Justine produced with TW for Blend Magazine to DKNY international ads, shot by Peter Lindbergh.

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Like most models in their 30′s Justine thought she was at the end of the line. She took some time off, and now is contemplating a return to an industry where she was very well received.

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TW recently told Justine, “If Linda Evangelista has that kind of staying power, you can too”.

Ingenue

…..Isabella is very good at the playing the role of the young ingenue, but underneath the youthfulness there’s a mature sexiness that emanates from her best pictures.
Whether she is wearing sunglasses or nothing at all, she models tastefully and with an air of elegance, taste and style…….

A symbol of erotica…….

The First Sitting

…….The very first sitting with Isabella took place just off Rittenhouse Square in Philadelphia. I had been searching for an appropriate location for days until I discovered the most exquisite boutique hotel in the area. The next time your in town I highly recommend Rittenhouse 1715.

Rittenhouse 1715

The atmosphere of the hotel got us in to a good mood, making it easier to make sexy pictures.
Believe it or not, I am not only inspired by the model I work with, but also the environment I work in.
I could have shot her there for days. It seemed like days anyway.
Isabella knew just how far to push my imagination and which parts of her beauty to emphasize……

She became even more at ease once all of her clothes were removed…….
To be continued……..

……Steffi and TW met over the internet when a friend of hers suggested she have a look at his website at tonyward.com. After perusing the site, she contacted the studio via email, sending along a few pictures of herself taken by a former boyfriend, as well as a few pictures from her work as a fashion model in her native Germany. We were impressed with her stature and unusually long legs.

Standing just over six feet tall, she reminded us of so many German girls that Helmut Newton worked with throughout his career. Steffi kept in touch for several months and eventually made plans to meet up with Tony in Hamburg for a test shoot.
The night before the sitting they got together for an evening on the town. TW was delighted to discover Steffi’s English was quite good, enabling them to enjoy each others company, as that is usually a good sign of a successful sitting and a great set of pictures.
Our producer in Hamburg Suzaan Talib found the perfect setting for the shoot; the oldest bordello in Hamburg which has been in continuous operation since the early 1900s. The madam and owner of the old establishment were gracious enough to give us the run of the place for several hours, while customers were coming and going. To their bemusement we repeatedly had to tell them that Steffi was not there to service them, they wished…….

Isabella Reneaux

…..The beautiful 19 year old contacted the studio via email about a year before we got a chance to meet her. It was a rainy day in New York. TW agreed to meet her for lunch at Balthazaar in SOHO. He was impressed by her bravado, street smarts and a desire to make money as a fashion model in the big city. While growing up in Atlantic City, New Jersey, Isabella dreamed of becoming a professional model.

Petite Reneaux

Because of her stunning looks and perfect proportions , photographers began to take notice. That enabled her to build a respectable body of work, which led to a variety of fashion assignments, including turns on the runway during fashion week.

Isabella began receiving requests from photograhers to model in the nude. She was not adverse to the idea and ultimately contacted the studio to arrange for a sitting with TW, naturally he was interested.

Isabella, Sunset Marquis, Los Angeles

After lunch they agreed to the parameters of the shoot. Isabella considers herself more of a striptease model and had no desire to show pink, preferring instead to leave something to the viewer’s imagination. Although petite, she knew how to pose in a way to highlight her most formidable physical asset, her natural shapely breasts. Because of her perfect proportions and shapely legs, Isabella quickly became this studio’s favorite petite model……