CThru.com Presents Tony Ward

………It is with great pleasure that we introduce part 2, of the Zenfolio by Anthony Wood.

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To learn more about Anthony Wood’s work, log on to www.anthonywood.zenfolio.com.

Posted by Anthony Wood

From Christianity I got good and bad, heaven and hell, woman as mother and temptress.

From Culture I got Cubism, Modigliani, film noir, horror movies, comic books, Heart of Darkness and Interview With a Vampire.

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From photography I got Diane Arbus, Meatyard, Joel-Peter Witkin and Bob Asman.

From meditation I got mystery and inner effulgent plays of light.

All of this strikes me as I look at my images of nude women from the past 3 years: idealized, exaggerated, absurd, deformed, decayed, darkness & shadows, unnatural, shame, innocence, desire and temptation, hidden and exposed.

To learn more about Anthony Wood’s work, log on to www.anthonywood.zenfolio.com.

Bamboozled

………Mikel has informed the Studio that Spike Lee’s film of the same name, inspired the creation of this piece.

The Prophecy

Posted By Mikel Elam

“Numbers and letters may fitly be called eyes” Alan Ginsberg

……..I have a kindred spirit in another well known artist by the name of Francesco Clemente. We share in several ideals. Words can be great inspiration for future paintings, as I have always been an avid reader. I’m fascinated with the concepts of hidden messages. In my life numbers, letters and passages have become fodder for my imagination.

In this painting, there is a woman who is in a meditative state of consciousness. A place of relaxation and exploration of her future objectives. Something unexplainable is happening to her. Perhaps it occurs in her subconscious. It’s leading her in a certain direction. She clutches a tool for choosing her fate.
This story is one I created for this painting, yet as important to me is the viewer’s interpretation which can be quite different and equally as valuable.
My work has been a constant exploration of the mind’s eye, intermixed with the conscious world.

In fact eyes are the windows to the soul. It’s the place where breathing leads to meditation and ultimately to transformation.

…….To learn more about Mikel’s work log on to www.mikelelam.com……..

Nirvana By Mikel Elam

…..Guest Blogger, Patrick Breslin a professor of Speech Communication at Santa Fe College in Gainesville, Florida; writes a commentary about Mikel Elam’s state of “Nirvana”, the studio’s Painting of the Day…….

Mikel Elam’s painting titled “Nirvana” depicts a male figure seated in meditation. The painting is a partial patchwork: the figure’s head encased in an orange square, the torso in a dark gray one. The background contains light colored disks, gold leaf squares, and dark purple 5-spoked behandled circles reminiscent of Buddhist icons, all ensconced in rectangular shapes. The dominant shade at the bottom of the painting is also purple, suggesting a base or ground, and philosophically linked to the icons; the top is adorned with swaths of blue, suggesting sky.

The meditator in the painting is a multiracial collage. The head appears African; the torso a shade of bronze; the lower abdomen and legs partake of a dark Caucasian complexion; the arms lighter—the left hinting at orange, the right bordering on pink—, and both terminating in an empty space of unpainted hands.

The title of the piece suggests several interpretations. Nirvana by definition refers to the ultimate peaceful state, and the multiracial makeup of the subject of the painting seems to propose that the blending of races, or at least their acceptance of one another, might lead to a peaceful existence. In the context of meditation as understood in popular culture, the lower abdomen whimsically lacks a navel, the historically clichéd object of meditation, causing the viewer to wonder whether the meditator in the painting is a holy incarnation not born of a woman. The viewer observes that the head of the subject does not fully connect to the body; the two are separated by a strip of the orange color from the box that surrounds the head. One could read into this that the nirvanic state of the meditator is all within the mind, disembodied, the concept of which does align with classic Buddhist perspectives.

The goal of meditation is enlightenment, whose common metaphor is light. Meditation is practiced in the mind—in the head—, yet the color scheme of the meditator’s body in the painting casts the darkest shades on the head and the lightest ones on the nonexistent hands, reversing the typical expectation and intimating that perhaps through the hands one expresses one’s degree of spiritual development, as Elam may be attempting to do in this work.

Pat Breslin Vulcan Days

www.MikelElam.com

Guest Blogger Mikel Elam, “I think this self portrait says a lot about me and my work. My paintings have been mostly about signs and symbols. It started early in my life when I began to notice patterns of numbers shadowing my everyday existence.

First I thought it was just chance and then as time passed, I realize there are very few coincidences. In portraiture and figure studies there are a great deal of measurements used to create an accurate representation. As an expressionistic painter, I use my emotions and my imagination to create images which are symbolic to my thoughts. In essence, they become these dreamscapes and very surreal in nature. I am interested in that place which is somewhere between reality and the ethereal.